Review: International Waters – Tron Theatre, Glasgow


First published in The Times, Saturday March 26 2016

Three Stars

At first glance, the new play from David Leddy looks not at all the kind of thing we’ve come to expect from the most audacious of Scotland’s contemporary theatre-makers. We open on a luxurious function room, into which tumbles a quartet of upper crust characters in white tie and cocktail dresses. There’s a trophy wife (Claire Dargo), a self-important crooner (Robin Laing), a celebrated photojournalist (Lesley Hart) and a senior bureaucrat (Selina Boyack).

If there’s more than a whiff of one of Noël Coward’s drawing room comedies about the set up, this is only the first in a whole string of genres parodied and paid homage to in the course of a dense 70-minute theatrical collage. With characters throwing up, losing control of their bowels and running around like headless chickens, the play reels from stiff-upper-lipped comedy to crude farce, culminating in the kind of twist ending you’d expect from a whodunit. As if this brew were not heady enough, Leddy’s script contains nods to Moby-Dick, Noah’s Ark, Shakespeare’s Tempest and even the Big Brother house.

PhotoTommy Ga-Ken Wan-Actors Claire Dargo-Robin Laing-Selina Boyack-Director David Leddy

Pic: Tommy Ga-Ken Wan

If the writing is soaked in references to cultural works from the past, its premise is speculative. The UK is in meltdown, to the point where even the most wealthy and powerful are being forced to flee. Having bribed their way onto one of the last ships pulling out of the failing state, our four elite refugees assemble in the appropriately named Caliban Room, to fuel up on canapés, though with little control over their ultimate destination and no communication with the outside world beyond the disembodied voice of the ship’s captain.


For the most part it is enormous fun watching these venal characters descend into panic, degradation and worse, to the strains of music ranging from the Sugacubes to the Queen of Gospel, Mahalia Jackson, and against the backdrop of Becky Minto’s handsome set design, which conspires with Nich Smith’s lighting to create an exhilarating patchwork of shifting atmospheres.

PhotoTommy Ga-Ken Wan-Actors Selina Boyack-Claire Dargo-Director David Leddy

Pic: Tommy Ga-Ken Wan

As the ship attempts to plots its choppy course, though, the feeling takes hold that the play’s numerous literary and cultural allusions, while enjoyable, only hides a lack of satirical focus on the writer’s part. There’s no greater catharsis than witnessing establishment figures falling from their pedestals, particularly when portrayed with such effrontery. It’s a pity that Leddy’s fearless satirical force doesn’t go hand-in-hand here with a deeper exploration of the prevailing attitudes and circumstances that might make such a scenario inevitable.


Box office: 0141 552 4267, to Mar 26; Traverse, Edinburgh, Mar 30-Apr 2; Lemon Tree, Aberdeen, Apr 5; Macrobert, Stirling, Apr 7 & 8;

Author: Allan Radcliffe

I am a writer, freelance journalist, subeditor and theatre critic, based in South Queensferry. My short fiction has been published in anthologies such as Out There, Elsewhere, The Best Gay Short Stories, ImagiNation, Markings, Gutter, New Writing Scotland and Celtic View. I have won the Scottish Book Trust's New Writer's Award and several of my stories have been adapted for broadcast on BBC Radio 4. As a journalist I write regularly for The Times, the Scotsman, Scotland on Sunday, Sunday Herald, Sunday Times, Metro, Big Issue and I was formerly assistant editor of The List magazine.

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