Review: An Evening with an Immigrant – Traverse Theatre, Edinburgh

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First published in The Times, Thursday August 24 2017

Four Stars

Inua Ellams first came to the attention of fringe audiences with his award-winning one-man show The 14th Tale, in which the poet, playwright and performer told stories of his childhood in Nigeria, London and Dublin. Passages of Ellams’s first stage success find their way into this vivid, multi-layered piece of storytelling. The autobiographical building blocks are the same, but here the performer allows his righteous anger – as well as his considerable charm and generosity of spirit – free rein.

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Review: Dick McWhittington – Perth Concert Hall

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First published in The Times, Tuesday December 13 2016

Three Stars

 

Perth’s lovely Victorian theatre may have been closed for refurbishment for the past couple of years, but this hasn’t prevented Scotland’s oldest repertory company from mounting its successful annual pantomime. For this year’s production, the shelf-like stage of the city’s concert hall has once again been transformed with the addition of a proscenium arch and layers of painted flats.

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Review: The Snaw Queen – Tron Theatre, Glasgow

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First published in The Times, Wednesday December 7 2016

Four Stars

 

Imagine Hans Christian Andersen, John Waters and a young Pedro Almódovar getting together for Christmas and you have some measure of the lurid delights of this year’s Tron panto. The title is, of course, derived from Andersen’s wintry classic, but the mix of bawdy, outrageous fun and good, old-fashioned pantomime tradition, is pure Johnny McKnight.

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Review: Weans in the Wood – Macrobert Arts Centre, Stirling

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First published in The Times, Monday November 28 2016

Four Stars

If Johnny McKnight, the playwright, performer and artistic director of Random Accomplice, could split himself into multiple clones, he would probably be called upon to write, helm and play the dame in half a dozen pantomimes across Scotland every festive season. As the ability to be in several places at once isn’t yet de rigueur, theatres must take it in turns for the full McKnight Christmas package of script, direction and virtuosic improvised banter.

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