Review: Cinderella – King’s Theatre, Edinburgh

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First published in The Times, Friday December 15 2017

Four Stars

Some people know each other so well they finish each other’s sentences. This is literally true of the entertainers Allan Stewart, Andy Gray and Grant Stott, the trio that has been at the heart of the King’s Theatre’s annual pantomime for the past 13 years. Whenever one of them struggles to spit out his lines, usually due to cracking up with laughter, the other two are on hand to clear up the verbal clutter – or simply exacerbate the sense of anarchy.

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Review: Aladdin – Perth Theatre

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First published in The Times, Tuesday December 12 2017

Three Stars

There was drama on and offstage at the opening performance of Perth’s pantomime. Ten minutes before the finale, a few too many puffs of smoke triggered the newly refurbishment theatre’s fire alarm system, dispatching cast, crew and audience onto the High Street for an impromptu second interval. Everyone involved took the disruption in good grace. The fire fighters were even called onstage to take a bow when the action resumes.

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Review: Alice in Wonderland – Northern Stage, Newcastle

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First published in The Times, Tuesday December 5 2017

Four Stars

In true Wonderland style, the sign above the bar at Northern Stage reads: “We’re all mad here!” Yet the young audience members who have gone to the trouble of dressing up in spotless pinafores and Alice bands look out of step with what’s happening onstage. This festive show may share its title with the enduring classic but its raucous tone is a world away from Lewis Carroll.

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Review: Cinderella – Citizens Theatre, Glasgow

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First published in The Times, Monday December 4 2017

Four Stars

There are a couple of golden rules that must be observed when it comes to staging a winning Christmas show. The first is never to forget the importance of a good story, simply yet effectively told in theatrical form, and in Stuart Paterson’s enduring adaptation of Cinderella, Dominic Hill, the director, and his team at the Citizens are working from a copper-bottomed classic.

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Review: Chick Whittington – Macrobert Arts Centre, Stirling

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First published in The Times, Tuesday November 28 2017

Three Stars

As 2017 is an odd-numbered year, Johnny McKnight is not only writing the pantomime at the Macrobert but also directing and pouring himself in and out of a ludicrous selection of wigs and frocks in his role as dame. The artistic director of Random Accomplice switches between the Stirling arts centre and Glasgow’s Tron at this most wonderful time of the year.

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Review: Love and Information – Scottish Youth Theatre, Glasgow

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First published in The Times, Saturday November 18 2017

Three Stars

This new production of Caryl Churchill’s 2012 play is intriguing on a number of levels. Firstly, there’s the work itself: less a play than a series of more than 50 short scenes exploring the information onslaught of the digital age and its impact on our thought processes and ability to forge meaningful connections.

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Review: Our Fathers – Traverse Theatre, Edinburgh

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First published in The Times, Friday October 27 2017

Three Stars

A religious upbringing can cling to even the staunchest atheist like the lingering smell of incense. For the theatre director Nicholas Bone and Rob Drummond, the acclaimed playwright, both sons of clergymen, the institutional memories and associations of religion are rather harder to shrug off.

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