First published in The Times, Thursday March 12 2020
There is so much going in this collaboration between Theatre Gu Leòr and the band Whyte that it comes as something of a surprise to realise that the show’s running time is a tight 75 minutes. Maim blends movement, story vignettes and multimedia with the band’s characteristic fusion of electronica and Gaelic song to explore life in Scotland’s far-flung communities, notably the fragile status of the Gaelic language and culture. The result is a unique hybrid that works its spell slowly, exerting a powerful pull.
Creating a truly original production of Oscar Wilde’s great comedy is no easy task. Its very familiarity is a major part of its popularity. Much of the dialogue is so axiomatic that you can almost hear the audience pre-empting the actors.
First published in The Times, Thursday March 5 2020
On paper this gender-swapped version of Bertolt Brecht’s 1940 comedy looks intriguing. The novelist Denise Mina adapts, with the redoubtable Elaine C Smith in the lead and the award-winning Turkish director Murat Daltaban at the helm. Yet while the production features some fine flourishes, there is no escaping the overall sense of a messy and incoherent assemblage.
First published in The Times, Thursday October 17 2019
It seems that you can’t move these days for stage adaptations of literary works. A familiar title is a strong draw, whether it’s the dramatisation of Matt Haig’s mental health memoir Reasons to Stay Aliveor the National Theatre of Scotland’s production of Red Dust Road, which just completed its Scottish tour.
First published in The Times, Tuesday October 15 2019
There is a moment early in this silver-screen tribute to Billy Connolly in which he reveals, with a certain amount of bemusement, that his most famous comedy routines are to be published in a forthcoming book. “It doesn’t make sense,” he says. “They don’t have a beginning, middle and an end. Sometimes the punch line comes at the beginning.”
First published in The Times, Monday October 7 2019
When the BBC Scotland sitcom Still Game bowed out this year its writers Ford Kiernan and Greg Hemphill left fans in no doubt that this was the end for Jack Jarvis, Victor McDade and the Craiglang posse. Not since the final episode of Blake’s 7, in 1981, has a television series more ruthlessly dispatched most of its starring cast.
First published in The Times, Monday September 23 2019
By any standards Russell Howard is a megastar. The atmosphere in the 13,000-seat arena at this early show in the stand-up’s year-long international tour was more akin to a rock concert than a comedy gig. Those little-known turns Cher and Björk, who will play the venue in the coming weeks, will be lucky to attract the same deafening levels of excitement.
First published in The Times, Monday March 25 2019
A Doll’s House by Ibsen is one of those theatrical gifts that keep on giving. The play about a middle-class woman, Nora Helmer, who comes to realise that her seemingly perfect marriage is a pretty cage, has been endlessly updated since its premiere in 1879. Lucas Hnath’s sequel, A Doll’s House, Part 2, which speculates on what happened to Nora after she closed the door on her old life, opened on Broadway in 2017.
First published in The Times, Monday December 17 2018
Manchester’s loss is Glasgow’s gain. Last Christmas, the legendary comedy pairing of Ian and Janette Tough aka the Krankies, along with their performing partner-in-crime John Barrowman, hit the headlines for all the wrong reasons when their innuendo-laden production of Dick Whittington at the Manchester Opera House attracted a barrage of complaints from outraged panto-goers.
First published in The Times, Friday December 14 2018
The Tony award-winning musical Kinky Boots, with a book by Harvey Fierstein and music and lyrics by the pop star Cyndi Lauper, had an unusual genesis. The story of a failing Northampton shoe factory, whose owner switches production from brogues to good-quality footwear for drag queens, began life 20 years ago as an episode of the BBC documentary series Trouble at the Top, which depicted the trials and tribulations of business executives. A low-budget feature film passed under the radar in 2005.Continue reading