First published in The Times, Monday October 15 2018
Each instalment in Oliver Emanuel’s trilogy exploring the forgotten voices of the First World War has felt distinctive, both in focus and atmosphere. Indeed, this concluding part, Dusk, is the only one of the sequence to be staged in a traditional proscenium-arch theatre. Dawn, which reimagined the stories of three young men shot for cowardice or desertion, took place in a converted barn on a Perthshire farm, while Day, which gave voice to women munitions workers and suffragettes, premiered in a room in the city’s Station Hotel.
Continue reading “Review: The 306: Dusk – Perth Theatre”
First published in The Times, Wednesday June 1 2016
Since its inauguration a decade ago, the National Theatre of Scotland has staged work in a number of remarkable places, including pubs, a swimming pool and Edinburgh International Airport. The latest production is perhaps its most adventurous undertaking yet. Audiences are bussed from Perth Concert Hall to an ambitiously reconfigured barn in a field in nearby Pitcairngreen. This is the immersive setting for Oliver Emanuel’s haunting play about three soldiers who were shot for cowardice during the First World War.
Continue reading “Review: The 306: Dawn – Dalcrue Farm, Perthshire”