Peter Barnes’s anarchic satire on privilege and entitlement must have seemed incredibly close to the knuckle when it was first staged at the Nottingham Playhouse in November 1968. The play’s premiere arrived at the end of a year marked by popular uprisings against elites across the globe, from the student protests that brought France to a shuddering halt for a few days in May to the escalation of the Civil Rights Movement in the United States, the Prague Spring and the first rumblings of the Troubles in Northern Ireland.
First published in The Times, Monday December 19 2016
One might have assumed that Pitlochry Festival Theatre had exhausted the available supply of festive-themed musicals, following productions in recent years of It’s a Wonderful Life and Miracle on 34th Street as well as a couple of outings for the company’s masterful staging of Irving Berlin’s White Christmas. It was perhaps inevitable that the theatre in the hills would eventually get around to mounting this chirrupy version of Dickens’s A Christmas Carol, based on the 1970 film that starred Albert Finney as the titular moneylender.