Review: Alan Cumming is Not Acting His Age – Old College Quad, Edinburgh

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First published in The Times, Monday August 30 2021

Four Stars

This was cabaret but we weren’t in Weimar Germany or the East Village, Manhattan. Live performance may be rebounding in Scotland following the pandemic, but residual restrictions meant that a show that felt tailor-made for an intimate space lit only by candlelight was being staged in an airy, socially distanced, makeshift venue. “It feels like we’re inside an ice cube,” says Alan Cumming, our host for the evening. “It’s like a really posh shopping centre.”

This 90-minute compendium of songs and humorous storytelling at the Edinburgh International Festival would have worked better in a spiegeltent or perhaps in Club Cumming, the performer’s bar and nightclub in New York City, with its “postage stamp-sized stage”. Yet it’s hard to imagine many other performers with the presence and charisma to conquer this rather unforgiving space.

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Review: Macbeth – Botanic Gardens, Glasgow

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First published in The Times, Friday July 22 2016

Three Stars

Staging outdoor theatre in Scotland is a risky business. Just ask Gordon Barr, the artistic director of Bard in the Botanics, who has been anxiously watching the skies above Glasgow’s west end every summer for the past 15 years.

 

The weather gods were smiling on the opening performance of his new production of the Scottish Play, however. As the city sizzled in a heat wave, the crowd gathered in extraordinary numbers on the grassy embankment at the back of the glasshouses in the Botanic Gardens. For once, the extra clothes, the blankets and sleeping bags, proved surplus to requirements.

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