Review: Europe – Pitlochry Festival Theatre

Standard

First published in The Times, Saturday September 9 2017

Three Stars

What could be timelier, in this era of Brexit, mass migration and right-wing populism, than a revival of David Greig’s play about borders, identity and the perceived threat from immigrants? Europe, one of the playwright’s earliest successes, was first performed at the Traverse a quarter of a century ago, yet its portrayal of a rundown railway station in a small European town, haunted by refugees and dejected locals, might have been dreamed-up yesterday.

Continue reading

Advertisements

Review: The Ruling Class – Pitlochry Festival Theatre

Standard

First published in The Times, Monday July 31 2017

Three Stars

Peter Barnes’s anarchic satire on privilege and entitlement must have seemed incredibly close to the knuckle when it was first staged at the Nottingham Playhouse in November 1968. The play’s premiere arrived at the end of a year marked by popular uprisings against elites across the globe, from the student protests that brought France to a shuddering halt for a few days in May to the escalation of the Civil Rights Movement in the United States, the Prague Spring and the first rumblings of the Troubles in Northern Ireland.

Continue reading

Review: Mary Rose – Pitlochry Festival Theatre

Standard

First published in The Times, Tuesday June 20 2017

Three Stars

JM Barrie, the author of Peter Pan, was afflicted in later life by writer’s cramp and could only write for any length of time with his left hand. He noted that the work he produced at this point took on an eerier quality, as though his left hand was channelling darker aspects of his personality. Mary Rose, written in the immediate aftermath of the First World War, with its portrayal of a young life frozen in time, is strikingly similar in theme to the Kirriemuir-born author’s most enduring and iconic work, though laced through with subtle chills.

Continue reading

Reviews: Beauty and the Beast – Perth Theatre; Cinderella – Byre Theatre, St Andrews

Standard

First published in The Times, Tuesday December 16 2015

Beauty and the Beast: Four Stars

Cinderella: Three Stars

 

Perth’s Victorian theatre may be in the midst of an extensive restoration but, for the second festive season in a row, the proscenium archway has been lovingly recreated on the stage of the city’s concert hall. This year’s pantomime, scripted by the ever-reliable Alan McHugh, is Beauty and the Beast, with a refreshing emphasis on the former rather than the latter.

The story unfolds against an array of gorgeous painted backdrops, created by the designer Ken Harrison, with stunning costumes to match, from Belle’s (AmyBeth Littlejohn) sumptuous gold ball gown to the increasingly over-the-top frocks and topknots modelled by Barrie Hunter’s Dame Betty Blumenthal.

Continue reading

Review: Love’s Labour’s Lost – Botanic Gardens, Glasgow

Standard

First published in The Times, Tuesday June 30 2015

Three Stars

Love’s Labour’s Lost is one of Shakespeare’s earliest comedies and its dizzying verbosity and baggy middle section does suggest a playwright still finding his fleet feet. That said, in the play’s depiction of a group of young lovers overcoming social hurdles, misunderstandings and mistaken identity to achieve a happy ending, one does find an early template, not only for the Bard’s great comedies, but for the enduring Hollywood screwball farce.

Continue reading