Taking its cue from the opening lines of Shakespeare’s comedy — “If music be the food of love, play on” — musical composition and performance are at the heart of Wils Wilson’s production of Twelfth Night for the Lyceum and Bristol Old Vic. A battered grand piano is a prominent feature of Ana Inés Jabares-Pita’s country-house set and several of the performers double as musicians, including Meilyr Jones, the Welsh singer-songwriter and the composer for the show.
First published in The Times, Friday October 13 2017
The promotional image for this revival of Bridget Boland’s Cockpit is a frenzied blue scribble in the middle of the map of Europe. The simple image encapsulates the impossible task – depicted in the play – of returning displaced peoples to their countries of origins in the aftermath of World War Two, yet it also speaks eloquently of the inadequacies of the nation state in 2017. Boland’s script feels so up-to-date that it inspires repeated glances at the programme notes to double check that it really does date back to 1948.