First published in The Times, Thursday July 11
One of the pleasures of taking in several performances in one stretch at Pitlochry lies in the sheer variety of the summer season repertoire. This year, that sense of variety seems turbocharged, with everything from the musical revival of Summer Holiday to the amiable froth of Noël Coward’s Blithe Spirit and the heavyweight allegory of Arthur Miller’s The Crucible in the mix.
Continue reading “Review: The Crucible – Pitlochry Festival Theatre”
First published in The Times, Monday February 25 2019
Jemima Levick is the ideal person to helm this revival of All My Sons. The former artistic director of Dundee Rep has confessed that she wasn’t the greatest admirer of Arthur Miller’s first major success when she was asked to return to her former place of work to direct the 1947 play. Yet her production does exactly what a good revival of a classic should do: it invites its audience to look at a familiar work with fresh eyes.
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First published in The Times, Monday March 6 2017
It is no mean feat to take a play as endlessly revived and oft discussed as Arthur Miller’s Pulitzer Prize-winning masterpiece and make audiences feel as though they are seeing it for the first time. Yet this production, directed by Joe Douglas for the Dundee Rep ensemble, offers an abundance of fresh perspectives on a text many people first encounter as high school students.
Continue reading “Review: Death of Salesman – Dundee Rep”
First published in The Times, Monday February 22 2016
Over the past decade the director John Dove has made the work of Arthur Miller a regular fixture of the Royal Lyceum’s repertoire. As well as offering strong, compelling productions of the acknowledged classics, including Death of a Salesman and All My Sons, he has also staged rare revivals of neglected works such as The Price and The Man Who Had All the Luck.
Continue reading “Review: The Crucible – Royal Lyceum, Edinburgh”
Published in The Times, Thursday September 10 2015
All My Sons: Two Stars
My Name Is . . . Three Stars
Rapture Theatre has not had its problems to seek in reviving Arthur Miller’s first major success for a Scottish tour. First, Paul Shelley, the lead actor, was forced to withdraw from the production due to illness. Then, on opening night, female lead Trudie Goodwin fainted midway through the second act, bravely soldiering on following a temporary halt in proceedings.
Continue reading “Reviews: All My Sons – Theatre Royal, Glasgow; My Name Is . . . Summerhall, Edinburgh”