First published in The Times, Friday July 22 2022
Increasingly, when a beloved band calls it a day, there is an afterlife for their work in the theatre. Granted, the jukebox musical can occasionally feel like the final nail in the coffin of an artist’s back catalogue, but this new show from Eden Court and Raw Material breathes compelling new life into songs by the Scottish rock outfit Runrig.
Continue reading “Theatre review: The Stamping Ground – Eden Court, Inverness”
First published in The Times, Saturday May 7 2022
According to the writing partnership of Mikey Burnett and Joe McCann, the idea of setting a comedy-drama in a bookmaker first came to them in 2007. Fifteen years on, the world of the turf accountant has changed beyond recognition. Gone are the smoke-filled betting shops of old, replaced by shiny corporate outlets stuffed with gaming machines, the paper slips and tiny pencils supplanted by online accounts.
Continue reading “Theatre review: The Bookies – Dundee Rep”
First published in The Times, Saturday March 5 2022
It is a tale as old as theatre itself. Two people, in a lonely place, enjoying a delicate equilibrium, are disturbed by an unexpected knock at the door. In walks an unwelcome figure from the past, an avenging angel or perhaps even Death herself, and the fragile balance of the household is instantly and irretrievably broken.
Continue reading “Theatre review: The Children – Dundee Rep”
First published in The Times, Monday November 29 2021
“I’m a wee bit out of practice,” gasps dame Barrie Hunter, catching his breath and straightening his wig following a strenuous opening number, “it’s been a couple of years.” This moment of witty adlib contains more than a hint of poignancy. It’s hard to believe that two years have passed since audiences cheered and booed along to Perth’s pre-lockdown festive outing, Sinbad.
Continue reading “Panto review: Cinderella – Perth Theatre”
First published in The Times, Monday February 24 2020
It is said that all political careers end in failure; the same observation could be made about most football managers. Jim McLean’s final match in charge of Dundee United ended in a 4-1 loss to Aberdeen. Nonetheless, the fans insisted on their club’s longest-serving manager taking a lap of honour.
Continue reading “Review: Smile – Dundee Rep”
First published in The Times, Tuesday December 3 2019
When the New Year rolls around the actor Barrie Hunter will surely be grateful for a well-earned rest. Having strutted the boards in high heels and higher wigs as Perth Theatre’s resident dame these past few years, Hunter not only stars in, but also writes and directs this year’s panto. Little wonder the good-natured mammy he plays in the show is called Jackie Alltrades (geddit?).
Continue reading “Review: Sinbad – Perth Theatre”
First published in The Times, Monday June 3 2019
This irreverent celebration of the City of Discovery could hardly be timelier. Dundee has undergone a renaissance in recent years, the most striking symbol of which, the V&A Dundee, opened its doors in 2018. Last year, the city was included in the Wall Street Journal’s top ten global travel destinations and was described in GQ magazine as “Britain’s coolest little city”.
Continue reading “Review: A-Z of Dundee – Rio Community Centre, Newport-on-Tay”
First published in The Times, Monday February 25 2019
Jemima Levick is the ideal person to helm this revival of All My Sons. The former artistic director of Dundee Rep has confessed that she wasn’t the greatest admirer of Arthur Miller’s first major success when she was asked to return to her former place of work to direct the 1947 play. Yet her production does exactly what a good revival of a classic should do: it invites its audience to look at a familiar work with fresh eyes.
Continue reading “Review: All My Sons – Dundee Rep”
First published in The Times, Tuesday October 23 2018
It feels misleading to refer to this new production of Gagarin Way as a “revival” — as though the director Cora Bissett and her cast had somehow breathed life back into a corpse. Gregory Burke’s black comedy, which was plucked out of the slush pile at the Traverse Theatre and went on to stun audiences at the Edinburgh Festival Fringe, has thrived on stages around the world pretty much nonstop since its premiere in 2001.
Continue reading “Review: Gagarin Way – Dundee Rep”
First published in The Times, Friday March 16 2018
It was in the aftermath of the Columbine massacre in 1999 that Steven Slater and Duncan Sheik conceived their musical adaptation of Frank Wedekind’s 1891 play about the unheard cries of young people. Fast forward 20 years and it is poignant that this energetic new production, featuring students from the Royal Conservatoire under the direction of Andrew Panton of Dundee Rep, is opening in the same week as a walkout of students across the United States in protest at yet another high school shooting.
Continue reading “Review: Spring Awakening – Royal Conservatoire of Scotland”