It is no mean feat to take a play as endlessly revived and oft discussed as Arthur Miller’s Pulitzer Prize-winning masterpiece and make audiences feel as though they are seeing it for the first time. Yet this production, directed by Joe Douglas for the Dundee Rep ensemble, offers an abundance of fresh perspectives on a text many people first encounter as high school students.
Sometimes the power of theatre to transport its audience can be instantaneous. As we make our way, still dripping from a June shower, into the auditorium of Dundee Rep, Ken Harrison’s set of rusticated gold pillars and wrought iron archways, made to gleam by Mike Robertson’s lighting, produces a palpably warming, comforting effect. People can be seen basking their faces in the glow. It’s like the start of a much-needed summer holiday.
Was there ever a more maligned creature in folklore than the wolf? The creature’s appalling public image can be traced all the way back to Aesop, and in European fairy tales the big bad wolf is either a predatory beast, devouring grandmothers and innocent young girls without remorse, or hoist with his own petard: lured to the boiling pot by little pigs and mother goats.
First published in The Times, Tuesday September 22 2015
When John McGrath’s landmark political drama debuted in a small venue in Aberdeen in 1973, the effects of the discovery of North Sea Oil on life in the Highlands were only just beginning to be felt. Forty years on, Joe Douglas’s joyous revival for Dundee Rep subtly updates the script to include references to the independence referendum and the current debate on land ownership, but it’s remarkably faithful to the substance and raucous spirit of the original.