First published in The Times, Monday October 18 2021
Nineteen months ago, before the pandemic ushered in theatre’s long hibernation, Perth Theatre staged a riotous version of Oscar Wilde’s The Importance of Being Earnest, with five actors tackling the nine speaking parts. This new adaptation of Molière’s comedy, featuring a script by Grant O’Rourke and direction from Lu Kemp, is an even more ambitious test of its ensemble’s versatility, with a trio of performers covering the dozen or so roles.
Continue reading “Theatre review: Don Juan – Perth Theatre”
First published in The Times, Thursday September 24 2015
What better way to kick off the Royal Lyceum Theatre Company’s 50th anniversary season than with a play about two old friends who have stuck together, for better or worse, for half a century? This much-anticipated Beckett revival, directed by departing artistic director Mark Thomson, also brings the careers of its two stars full circle. While Brian Cox was a founding member of the original Lyceum ensemble, Bill Paterson first performed in Edinburgh in 1972 as part of Billy Connolly’s The Great Northern Welly Boot Show.
Continue reading “Review: Waiting for Godot – Royal Lyceum, Edinburgh”