First published in The Times, Monday September 10 2018
The autumn theatre season has rolled around again, but for Dominic Hill and the Citizens Theatre it is far from business as usual. Cyrano de Bergerac is the company’s first production since taking up residence at nearby Tramway while its Gorbals HQ undergoes renovations. Hill’s take on Edmond Rostand’s 1897 verse drama, based on the celebrated 1992 Scots translation by Edwin Morgan, is an ambitious team effort, co-produced by the National Theatre of Scotland and the Royal Lyceum, that will tour stages around the country.
Continue reading “Review: Cyrano de Bergerac –Tramway, Glasgow”
First published in The Times, Tuesday April 11 2017
It is so rare to see revivals of the work of Caryl Churchill on Scottish stages that two productions in the space of a week feels like an embarrassment of riches. The prolific, versatile and endlessly experimental playwright’s two-hander Drunk Enough to Say I Love You?, which implicitly explores the so-called “special relationship” between Britain and the United States through a conversation between male lovers, has recently completed a week-long run in the Circle Studio at Glasgow’s Citizens Theatre.
Continue reading “Review: A Number – Royal Lyceum, Edinburgh”
First published in The Times, Monday August 22 2016
The prospect of a second co-production between the National Theatre of Scotland and the New York-based Theatre of the Emerging Moment (TEAM) is mouth-watering. Their first collaborative piece, Architecting, which drew on characters from Margaret Mitchell’s Gone with the Wind to show how history is constructed through popular culture, won awards at the fringe in 2008.
Continue reading “Review: Anything That Gives Off Light – Edinburgh International Conference Centre”