First published in The Times, Friday October 26 2018
The elevator pitch for Clear White Light is certainly attention-grabbing: a contemporary retelling of Edgar Allan Poe’s The Fall of the House of Usher set in a psychiatric unit and featuring the songs of Alan Hull of Lindisfarne.
The production — the first to be mounted by the new artistic director of Live, Joe Douglas — is an odd hybrid of enjoyable, if hackneyed, gothic drama, scripted by Paul Sirett, interspersed with dynamically staged musical numbers performed by a live band alongside members of the acting ensemble. The idiosyncratic premise makes sense in the light of Hull’s experiences of working at St Nicholas Hospital in Newcastle as a trainee psychiatric nurse in the Sixties. He escaped into Poe’s short stories during quiet night shifts.