First published in The Times, Saturday November 18 2017
This new production of Caryl Churchill’s 2012 play is intriguing on a number of levels. Firstly, there’s the work itself: less a play than a series of more than 50 short scenes exploring the information onslaught of the digital age and its impact on our thought processes and ability to forge meaningful connections.
First published in The Times, Tuesday April 11 2017
It is so rare to see revivals of the work of Caryl Churchill on Scottish stages that two productions in the space of a week feels like an embarrassment of riches. The prolific, versatile and endlessly experimental playwright’s two-hander Drunk Enough to Say I Love You?, which implicitly explores the so-called “special relationship” between Britain and the United States through a conversation between male lovers, has recently completed a week-long run in the Circle Studio at Glasgow’s Citizens Theatre.