First published in The Times, Thursday July 15 2021
Could there be a more superlative setting for a production of The Wind in the Willows than the banks of the Tummel? There have of course been numerous stage adaptations of Kenneth Grahame’s classic, but few can boast an actual riverbank as the backdrop to the adventures of Ratty, Mole, Badger and Toad.
Elizabeth Newman and Ben Occhipinti’s production, from a new script by Mark Powell, stays faithful to the spirit if not the letter of the original, sustaining a good balance between action and hi-jinks with some quieter, more reflective scenes. Powell makes a few tweaks to the story, adding extra dimensions to the conflict between the four chums and the Wild-Wooders and in the process touching upon land use and ecology, creating a timely edge to the piece.
Continue reading “Theatre review: The Wind in the Willows – Pitlochry Festival Theatre”
First published in The Times, Friday December 6 2019
You can’t move at this time of year for stage versions of Dickens’s great tale of regret and redemption. Pitlochry’s festive outing is especially intriguing as Isobel McArthur, who scored a hit with her irreverent, karaoke-fuelled reimagining of Jane Austen’s Pride and Prejudice, has written the new adaptation.
Continue reading “Review: A Christmas Carol – Pitlochry Festival Theatre”
First published in The Times, Monday March 13 2017
Yasmina Reza’s most famous play, the frequently revived Art, depicted a friendship tested to breaking point following the acquisition of a large, completely white painting. In Gareth Nicholls’s new production of Reza’s recent hit comedy, God of Carnage, most of the set, created by Karen Tennent, is itself a dazzling white canvas. The furniture and fittings sparkle, like something out of an interior designer’s vision of heaven. Refreshment is served on a white tray bearing gleaming espresso cups and plates.
Continue reading “Review: God of Carnage – Tron Theatre, Glasgow”