First published in The Times, Wednesday March 30 2022
Audiences are accustomed to seeing Roald Dahl’s children’s stories on stage. Matilda and Charlie and the Chocolate Factory were turned into blockbuster musical hits, while David Wood’s faithful adaptations of James and the Giant Peach, The BFG and The Witches are mainstays of the Christmas season.
Continue reading “Theatre review: The Wonderful Story of Henry Sugar – Perth Theatre”
First published in The Times, Wednesday June 5 2019
When the stage version of Summer Holiday premiered at the Blackpool Opera House in 1996, the big talking point was the double-decker London bus that trundled across the stage, with a lustrous Darren Day at the wheel.
Continue reading “Review: Summer Holiday – Pitlochry Festival Theatre”
First published in The Times, Tuesday September 18 2018
When Rona Munro’s The Last Witch debuted at the Royal Lyceum as part of the 2009 Edinburgh International Festival, the play, inspired by the true story of the last woman to be burned for heresy in Scotland, got lost in an over-the-top staging that included elaborate multimedia, sound and special effects.
Continue reading “Review: The Last Witch – Pitlochry Festival Theatre”
First published in The Times, Thursday February 15 2018
On entering the auditorium, the audience is handed a “programme” in the form of a crumpled piece of paper that’s festooned with scribbled notes and illustrations. As the house lights go down the curtain slides hurriedly back and forth across the front of the stage, offering a narrow, keyhole-view of the scene within.
Such novelties might provoke a few raised eyebrows among the uninitiated, but followers of the work of David Leddy and Fire Exit are accustomed to expecting the unexpected. This, after all, is the writer and director who conducted his audience around the bowels and backstage of the Citizens Theatre for his gothic melodrama, Sub Rosa, and invited us to don kimonos and sit within a circle of origami birds as the action unfolded on the Japan-inspired White Tea.
Continue reading “Review: The Last Bordello – Tron Theatre, Glasgow”