First published in The Times, Thursday October 17 2019
It seems that you can’t move these days for stage adaptations of literary works. A familiar title is a strong draw, whether it’s the dramatisation of Matt Haig’s mental health memoir Reasons to Stay Alive or the National Theatre of Scotland’s production of Red Dust Road, which just completed its Scottish tour.
Continue reading “Review: The Panopticon – Traverse Theatre, Edinburgh”
First published in The Times, Tuesday July 9 2019
This is the first time Marius von Mayenburg’s 2007 satire has been seen on a Scottish stage but there is much in Debbie Hannan’s production that will be familiar to those with even a sketchy knowledge of the horror genre. The trope of slowly unwrapping bandages from some strangely altered face has been so endlessly sent-up that it surely deserves a subgenre classification of its own.
Continue reading “Review: The Ugly One – Tron Theatre, Glasgow”