First published in The Times, Thursday March 12 2020
There is so much going in this collaboration between Theatre Gu Leòr and the band Whyte that it comes as something of a surprise to realise that the show’s running time is a tight 75 minutes. Maim blends movement, story vignettes and multimedia with the band’s characteristic fusion of electronica and Gaelic song to explore life in Scotland’s far-flung communities, notably the fragile status of the Gaelic language and culture. The result is a unique hybrid that works its spell slowly, exerting a powerful pull.
Continue reading “Review: Maim – Tron Theatre, Glasgow”
First published in The Times, Friday August 14 2015
Stoirm Òg – the bilingual English-Gaelic theatre company founded by writer-performer Elspeth Turner – caused a modest splash at the fringe in 2012 with the gothic Hebridean family drama The Idiot at the Wall. Turner’s new work, inspired by the folklore and storytelling traditions of the north-east of Scotland, further reveals a company of significant range and ambition even if at times both the play and this production feel a little overstuffed.
Continue reading “Review: SpectreTown – Assembly Hall, Edinburgh Fringe”