First published in The Times, Monday November 29 2021
“I’m a wee bit out of practice,” gasps dame Barrie Hunter, catching his breath and straightening his wig following a strenuous opening number, “it’s been a couple of years.” This moment of witty adlib contains more than a hint of poignancy. It’s hard to believe that two years have passed since audiences cheered and booed along to Perth’s pre-lockdown festive outing, Sinbad.
Continue reading “Panto review: Cinderella – Perth Theatre”
First published in The Times, Tuesday December 3 2019
When the New Year rolls around the actor Barrie Hunter will surely be grateful for a well-earned rest. Having strutted the boards in high heels and higher wigs as Perth Theatre’s resident dame these past few years, Hunter not only stars in, but also writes and directs this year’s panto. Little wonder the good-natured mammy he plays in the show is called Jackie Alltrades (geddit?).
Continue reading “Review: Sinbad – Perth Theatre”
First published in The Times, Tuesday May 21 2019
The power of three is pervasive in fairytales. Whoever heard of two magic wishes, or a beginning and middle with no end? It is no accident that the Wicked Queen makes a trio of attempts to kill Snow White or that the miller’s daughter tries three times to guess Rumpelstiltskin’s name.
Continue reading “Review: This Girl Laughs, This Girl Cries, This Girl Does Nothing – Adam Smith Theatre, Kirkcaldy”
First published in The Times, Tuesday September 26 2017
This is not the first time this year that a performer has taken on the role of man’s best friend on the stage at the Citizens. In May, the actor Ewan Somers gave a memorable turn as an amorous Irish wolfhound in a revival of Giles Havergal’s celebrated version of Graham Greene’s Travels with My Aunt.
A mere four months on and another literary adaptation is affording Somers and a dozen of his fellow actors the opportunity to play not only dogs and chickens but also guards and prisoners in a Soviet labour camp. In the opening moments of Helena Kaut-Howson’s production, based on the 1975 allegorical novel by Georgi Vladimov, the dissident writer, we watch the company being put through its paces in a military-style drill, snapping from canine to human and back again in response to barked commands.
Continue reading “Review: Faithful Ruslan: the Story of a Guard Dog – Citizens Theatre, Glasgow”
First published in The Times, Tuesday May 9 2017
Graham Greene described his 1969 novel, Travels with My Aunt, as “the only book I have written just for the fun of it.” Indeed, there appears to be little urgent reason to revive the acclaimed theatrical adaptation, written by Giles Havergal, the former artistic director of the Citizens Theatre, other than for its sheer entertainment value. The play, first staged in 1989, and still regularly performed, can certainly draw appreciative laughter, even if it shows its age.
Continue reading “Review: Travels with My Aunt – Citizens Theatre, Glasgow”
First published in The Times, Monday June 20 2016
Sometimes the power of theatre to transport its audience can be instantaneous. As we make our way, still dripping from a June shower, into the auditorium of Dundee Rep, Ken Harrison’s set of rusticated gold pillars and wrought iron archways, made to gleam by Mike Robertson’s lighting, produces a palpably warming, comforting effect. People can be seen basking their faces in the glow. It’s like the start of a much-needed summer holiday.
Continue reading “Review: Much Ado About Nothing – Dundee Rep”