First published in The Times, Thursday July 11
One of the pleasures of taking in several performances in one stretch at Pitlochry lies in the sheer variety of the summer season repertoire. This year, that sense of variety seems turbocharged, with everything from the musical revival of Summer Holiday to the amiable froth of Noël Coward’s Blithe Spirit and the heavyweight allegory of Arthur Miller’s The Crucible in the mix.
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First published in The Times, Tuesday September 18 2018
When Rona Munro’s The Last Witch debuted at the Royal Lyceum as part of the 2009 Edinburgh International Festival, the play, inspired by the true story of the last woman to be burned for heresy in Scotland, got lost in an over-the-top staging that included elaborate multimedia, sound and special effects.
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First published in The Times, Thursday July 26 2018
There is something discomfiting, even perversely fascinating, about watching Rodney Ackland’s 1949 play in the very week that warnings about food shortages and rationing in the event of a hard Brexit have dominated the news agenda. The backdrop to Ackland’s adaptation of a short story by W Somerset Maugham is a Britain caught in the painful aftershocks of the war where almost every conversation contains references to cost and availability.
Continue reading “Review: Before the Party – Pitlochry Festival Theatre”