First published in The Times, Friday December 22 2017
Comic turns have always taken precedence over the romantic leads in pantomime. Widow Twankey regularly gets higher billing than her own son. Sarah the Cook is generally further up the food chain than Dick Whittington. Even at the ball the Ugly Sisters and Buttons tend to outshine poor Cinderella.
In the case of the Armadillo’s panto, the roll call of comedians and celebrities is brasher and starrier than at any other seasonal offering in Scotland. After all, this is no ordinary festive show, but a “giant pantomime spectacular”.
First published in The Times, Monday July 10
A few lines from A Midsummer Night’s Dream, describing a world whose seasons are in disarray, perfectly encapsulate the experience of seeing theatre in Scotland at present: “The spring, the summer, the childing autumn, angry winter change their wonted liveries, and the mazèd world, by their increase, now knows not which is which.”
Not only is Pitlochry Festival Theatre currently staging Alan Ayckbourn’s Absurd Person Singular, a play set over three consecutive Christmas Eves, the Tron’s summer show is a revival of Anthony Neilson’s The Lying Kind, whose farcical action unfolds against a backdrop of tinsel and holly wreaths.