First published in The Times, Monday July 3 2017
The work of Alan Ayckbourn is almost a mainstay of the annual summer programme at Pitlochry Festival Theatre. Over the years the company has made a significant dent in the prolific dramatist’s output, producing 24 of his more than 70 full-length plays. Last year, there was a bonus for aficionados when the theatre revived his ambitious trilogy of plays, Damsels in Distress.
Absurd Person Singular, one of Ayckbourn’s earliest successes, is also something of a three-in-one theatrical bonanza. The play unfolds over successive Christmas Eves in the respective homes of three very different couples. These increasingly uncomfortable gatherings may take place over the festive season, but Ayckbourn games our expectations by setting the action “offstage” in a trio of kitchens whose décor and condition mirror their owners’ personalities and state of mind. Now and then, a door opens to offer a glimpse of fairy lights or to divulge a few bars of seasonal music or sherry-fuelled laughter. Otherwise, the atmosphere remains resolutely cheerless.
Continue reading “Review: Absurd Person Singular – Pitlochry Festival Theatre”
First published in The Times, Tuesday May 30 2017
The 1956 film High Society was one of the biggest box office hits of the year. Yet the MGM musical is considered a pale imitation of The Philadelphia Story, the play and film on which it is based. Even on its original release one reviewer called it “as dated today as the idle rich”. What one remembers of the musical is the iconic staging of some of Cole Porter’s best-loved songs: Bing Crosby serenading Grace Kelly with True Love on a yacht; Bing and Frank Sinatra teaming up for a cracking rendition of Well, Did You Evah!
Continue reading “Review: High Society – Pitlochry Festival Theatre”
First published in The Times, Wednesday February 15 2017
The middle instalment of a trilogy can often feel inessential: the slightly sagging bridge between a punchy opening and satisfactory denouement. This revival of the second part of John Byrne’s Slab Boys trilogy reaffirms the play as every bit as funny and poignant as episode one. If anything, Caroline Paterson’s production is a cut above the David Hayman-directed revival of The Slab Boys – staged at the same theatre a couple of years ago.
Continue reading “Review: Cuttin’ a Rug – Citizens Theatre, Glasgow”