First published in The Times, Wednesday June 6 2018
Likeability is so overrated. The characters in Kander and Ebb’s Chicago are unapologetically venal, rapacious or at best pathetic. Rare moments of introspection are undercut with cruelty and irony. If the audience is in any doubt as to how little the show’s murderous leads care about obtaining our sympathy, we return for Act II to be welcomed with the line, “Hello, Suckers”.