First published in The Times, Saturday November 4 2017
A first glance at the staging for Peter Arnott’s new adaptation of Compton Mackenzie’s novel may lead some in the audience to wonder if they have inadvertently stumbled upon Brigadoon. Ken Harrison, the designer, has garlanded his set with tartan. There are glimpses of heather-clad hills in the background and a soundtrack of bagpipes playing faintly overhead. The whole scene provokes the same frisson of resistance one feels walking past shop windows filled with shortbread and tinned haggis on the Royal Mile.