First published in The Times, Monday March 11 2018
In many ways, the bingo hall is the ideal place in which to set a site-specific show. Like live theatre at its best, a night at the bingo is a collective experience that’s a little different every time, leaving its participants trembling on the edge of their seats, on the verge of elation or disappointment.
It is surprising that this new musical comedy, produced by Stellar Quines in collaboration with Grid Iron, the leading company specialising in site-specific work in Scotland, makes no attempt to fully immerse its audience within such a giddy atmosphere. We watch the action unfold against the glittery backdrop of Carys Hobbs and Becky Minto’s set at one remove, and the experience is akin to spying on a party to which we haven’t been invited.
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