Review: Cyrano de Bergerac –Tramway, Glasgow

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First published in The Times, Monday September 10 2018

Four Stars

The autumn theatre season has rolled around again, but for Dominic Hill and the Citizens Theatre it is far from business as usual. Cyrano de Bergerac is the company’s first production since taking up residence at nearby Tramway while its Gorbals HQ undergoes renovations. Hill’s take on Edmond Rostand’s 1897 verse drama, based on the celebrated 1992 Scots translation by Edwin Morgan, is an ambitious team effort, co-produced by the National Theatre of Scotland and the Royal Lyceum, that will tour stages around the country.

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Review: Knives in Hens – Perth Theatre

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First published in The Times, Thursday February 8 2018

Four Stars

David Harrower’s play, about a young woman in a pre-industrial setting whose life and consciousness are transformed by literacy, is a true contemporary classic, renowned globally, having been staged in some 25 countries since its premiere at Edinburgh’s Traverse in 1995. Indeed, the three-hander is arguably better appreciated abroad than at home, with this revival at the newly restored Perth Theatre only the fourth Scottish production in 20 years.

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Review: Rapunzel – Citizens Theatre, Glasgow

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First published in The Times, Monday December 21 2015

Three Stars

 

Theatre audiences are spoilt for choice at this time of year, with plenty of serious plays and adaptations available for those with a low tolerance for the traditional pantomime. Annie Siddons’s update of Rapunzel, directed for the Citizens by Lu Kemp, is something of a hybrid, sticking for the most part to the basic outline of the fairy tale but with the plot repeatedly put on hold for lengthy comic digressions and the occasional attempt to break the fourth wall.

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Review: Lanark – Royal Lyceum, Edinburgh International Festival

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First published in The Times, Tuesday August 25 2015

Three Stars

Eyebrows were raised when it was announced that the Edinburgh International Festival and the Citizens Theatre were teaming up to create a theatrical adaptation of Alasdair Gray’s Lanark. The author himself had a go at translating his mammoth dystopian novel for film 30 years ago but was forced to abandon the project as a fool’s errand. It is therefore much to the credit of playwright David Greig that his adaptation of Gray’s big beast of a book for the stage is both comprehensive and reassuringly coherent.

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