First published in The Times, Wednesday April 18 2018
In 2002 the inaugural production from Streetwise Opera, which works with people affected by homelessness, was a staging of Benjamin Britten’s Canticles at Westminster Abbey in London. So it is a nice touch that this show should take its title from one of Britten’s Cabaret Songs, written in collaboration with WH Auden.
Often, when rock stars turn their talents to musical theatre, the result is little more than an extended medley of their greatest hits, tenuously strung together by a nominal storyline. While the score for Sting’s Tyneside-set musical The Last Ship features several entries from the singer-songwriter’s discography, including songs from his 2013 concept album of the same name, there is nothing cynical or jaded about the deeply personal project.