First published in The Times, Tuesday December 5 2017
In true Wonderland style, the sign above the bar at Northern Stage reads: “We’re all mad here!” Yet the young audience members who have gone to the trouble of dressing up in spotless pinafores and Alice bands look out of step with what’s happening onstage. This festive show may share its title with the enduring classic but its raucous tone is a world away from Lewis Carroll.
Continue reading “Review: Alice in Wonderland – Northern Stage, Newcastle”
First published in The Times, Friday January 27 2017
Downtrodden single mother Alice (Kerry Ellis) is having a bad day. Her car has been stolen, she’s lost her house keys and when she arrives late for work her heartless boss fires her. Topping it all off, her ex-husband, for whom she still holds a torch, has been in touch with news of his latest marriage.
Clearly, we are not in Lewis Carroll territory, although his iconic characters are nominally present and correct in this contemporary musical update of Alice’s Adventures in Wonderland and Through the Looking Glass, written by Gregory Boyd and Jack Murphy, with music by Frank Wildhorn. Their version of Alice sports killer boots and drops into Wonderland, accompanied by her teenage daughter (Naomi Morris) and socially awkward neighbour (Stephen Webb), by way of the out-of-order lift in her dingy high-rise block.
Continue reading “Review: Wonderland – Edinburgh Playhouse”
First published in The Times, Tuesday December 6 2016
Anthony Neilson is an inspired choice to create and direct a new version of Lewis Carroll’s dreamlike fantasy. His most celebrated play, The Wonderful World of Dissocia, which depicts a journey through the mind of a woman with a mental illness, is, in outline, a hybrid of Alice in Wonderland and The Wizard of Oz, shot-through with humour but edged in desolation and horror.
Continue reading “Review: Alice’s Adventures in Wonderland – Royal Lyceum, Edinburgh”