First published in The Times, Monday September 10 2018
The autumn theatre season has rolled around again, but for Dominic Hill and the Citizens Theatre it is far from business as usual. Cyrano de Bergerac is the company’s first production since taking up residence at nearby Tramway while its Gorbals HQ undergoes renovations. Hill’s take on Edmond Rostand’s 1897 verse drama, based on the celebrated 1992 Scots translation by Edwin Morgan, is an ambitious team effort, co-produced by the National Theatre of Scotland and the Royal Lyceum, that will tour stages around the country.
First published in The Times, Monday December 4 2017
There are a couple of golden rules that must be observed when it comes to staging a winning Christmas show. The first is never to forget the importance of a good story, simply yet effectively told in theatrical form, and in Stuart Paterson’s enduring adaptation of Cinderella, Dominic Hill, the director, and his team at the Citizens are working from a copper-bottomed classic.
First published in The Times, Wednesday April 26 2017
Mark Murphy, the choreographer and director of V-Tol Dance Company, is known for large-scale theatrical events, including the closing ceremony of the Glasgow Commonwealth Games, as well as intimate, text-based plays, such as his two-hander Night Shift. His latest work, co-commissioned by the Macrobert and Sadler’s Wells, combines spectacle and storytelling to explore the chaotic inner workings of a woman in a medically-induced coma.
First published in The Times, Friday February 10 2017
The iconic status of Mary Shelley’s creation is mainly thanks to a Hollywood makeup artist named Jack Pierce. He dreamt up the image of the flat-topped monster with bolts in his neck, made immortal by Boris Karloff in James Whale’s 1931 film adaption, that has long eclipsed the “shrivelled complexion and straight black lips” of the creature in the original novel.
First published in The Times, Monday February 8 2015
The experience of seeing actors famed for television roles taking to the stage can be disorientating, requiring an adjustment on the part of the audience, a further suspension of disbelief. In Dominic Hill’s revival of Endgame at the Citizens, the curiosity value of seeing David Neilson and Chris Gascoyne – for many years Roy Cropper and Peter Barlow in Coronation Street – transferred to the strange landscape of a Samuel Beckett play is swiftly defused by the fact that both actors are almost unrecognisable from the outset.
First published in The Times, Tuesday April 28 2015
It takes a long time to adjust to the bizarre universe of Douglas Maxwell’s new comedy. The action ostensibly takes place in the Govanhill area of Glasgow during a sweltering heat wave but the off-centre atmosphere created in Dominic Hill’s production is more akin to Twin Peaks than River City.