First published in The Times, Monday July 25 2022
Nicole Cooper, the much-admired actor and a linchpin of the Bard in the Botanics company, is surely one of the few thespians to have played both Prospero (as part of an all-female adaptation at the Tron) and Miranda (for Bard) in The Tempest.
Her next step has been a deeper dive into Shakespeare’s swansong, radically reworking the play as well as directing this moving, pared-back production.
Continue reading “Theatre review: The Tempest – Botanic Gardens, Glasgow”
First published in The Times, Sunday June 26 2022
The first production in this year’s summer season sets off a double celebration for Bard in the Botanics. Having endured the many challenges wrought by the pandemic, the company, led by Gordon Barr, the artistic director, is marking its 21st anniversary in style, with its first full programme in three years. As well as revisiting its much-admired 2013 production of Much Ado About Nothing, the company moves beyond its Renaissance comfort zone with a fresh take on Euripides’ Medea.
Continue reading “Theatre review: A Midsummer Night’s Dream – Botanic Gardens, Glasgow”