First published in The Times, Wednesday March 27 2019
Patrick Hamilton’s 1938 play has long been a staple of repertory theatre. The “Victorian thriller in three acts” certainly supplies plenty of crowd-pleasing elements: shadowy setting, spooky sound and lighting effects, and plot revelations that can make an audience gasp.
Continue reading “Review: Gaslight – Perth Theatre”
First published in The Times, Monday March 26
Some Richards are so grotesquely charismatic that they overwhelm everything else onstage. This was the case with Lars Eidinger’s performance as the Machiavellian prince in Thomas Ostermeier’s acclaimed production of Shakespeare, which stopped off at the Edinburgh International Festival a couple of years back. The German actor exploded the stage at the Lyceum with a raucous turn that included berating members of the audience and enticing the entire house into chanting along with his most profane lines.
Continue reading “Review: Richard III – Perth Theatre”
First published in The Times, Friday May 5 2017
Sandy Grierson is fast becoming the go-to actor for offbeat dramatic roles in Scottish theatre. The titles alone of his recent work hint at his versatility. In the past two years he has played the antihero of Alasdair Gray’s Lanark: A Life in Three Acts at the Edinburgh International Festival and the iconoclast musician in The Beautiful Cosmos of Ivor Cutler for the National Theatre of Scotland.
Continue reading “Review: Charlie Sonata – Royal Lyceum, Edinburgh”
First published in The Times, Thursday April 2 2015
Playwright Alison Carr is one of the breakout members of the Traverse 50 – the group of new talents discovered and nurtured by Scotland’s new writing theatre as part of its half-centenary celebrations. Fat Alice may be her first fully realised work, but it’s an impressive calling card, sly and audaciously offbeat, showcased to strong effect in Joe Douglas’s snappy production.
Continue reading “Review: Fat Alice – Òran Mór, Glasgow”