First published in The Times, Monday July 10
A few lines from A Midsummer Night’s Dream, describing a world whose seasons are in disarray, perfectly encapsulate the experience of seeing theatre in Scotland at present: “The spring, the summer, the childing autumn, angry winter change their wonted liveries, and the mazèd world, by their increase, now knows not which is which.”
Not only is Pitlochry Festival Theatre currently staging Alan Ayckbourn’s Absurd Person Singular, a play set over three consecutive Christmas Eves, the Tron’s summer show is a revival of Anthony Neilson’s The Lying Kind, whose farcical action unfolds against a backdrop of tinsel and holly wreaths.
First published in The Times, Friday April 7 2017
How often do we reach for technology – unlock our phones or fire up our laptops – to escape the daily grind or overcome the transient blues? In Stef Smith’s new play, Polly (Rosalind Sydney) and Owen (Michael Dylan) are that enviable couple who appear to have it all: youth, energy, career success and a genuine, burgeoning love. Still, there is something almost inevitable about Polly’s tragic slide into dependency on a seductive new piece of hardware.
First published in The Times, Wednesday July 13
The “West” in this case refers to Leenane in deepest County Galway, yet there is also something of the lawless frontier about Martin McDonagh’s Connemara. As imagined by the acclaimed playwright, the quaint Irish village is a hotbed of murder, domestic violence and dismemberment. As the hapless Father Welsh (Michael Dylan) has it: “I’d have to kill half me relatives to fit into this town.”