First published in The Times, Thursday July 26 2018
There is something discomfiting, even perversely fascinating, about watching Rodney Ackland’s 1949 play in the very week that warnings about food shortages and rationing in the event of a hard Brexit have dominated the news agenda. The backdrop to Ackland’s adaptation of a short story by W Somerset Maugham is a Britain caught in the painful aftershocks of the war where almost every conversation contains references to cost and availability.
Continue reading “Review: Before the Party – Pitlochry Festival Theatre”
First published in The Times, Wednesday June 6 2018
Likeability is so overrated. The characters in Kander and Ebb’s Chicago are unapologetically venal, rapacious or at best pathetic. Rare moments of introspection are undercut with cruelty and irony. If the audience is in any doubt as to how little the show’s murderous leads care about obtaining our sympathy, we return for Act II to be welcomed with the line, “Hello, Suckers”.
Continue reading “Review: Chicago – Pitlochry Festival Theatre”