First published in The Times, Thursday February 15 2018
On entering the auditorium, the audience is handed a “programme” in the form of a crumpled piece of paper that’s festooned with scribbled notes and illustrations. As the house lights go down the curtain slides hurriedly back and forth across the front of the stage, offering a narrow, keyhole-view of the scene within.
Such novelties might provoke a few raised eyebrows among the uninitiated, but followers of the work of David Leddy and Fire Exit are accustomed to expecting the unexpected. This, after all, is the writer and director who conducted his audience around the bowels and backstage of the Citizens Theatre for his gothic melodrama, Sub Rosa, and invited us to don kimonos and sit within a circle of origami birds as the action unfolded on the Japan-inspired White Tea.