First published in The Times, Monday December 4 2017
There are a couple of golden rules that must be observed when it comes to staging a winning Christmas show. The first is never to forget the importance of a good story, simply yet effectively told in theatrical form, and in Stuart Paterson’s enduring adaptation of Cinderella, Dominic Hill, the director, and his team at the Citizens are working from a copper-bottomed classic.
It is no mean feat to take a play as endlessly revived and oft discussed as Arthur Miller’s Pulitzer Prize-winning masterpiece and make audiences feel as though they are seeing it for the first time. Yet this production, directed by Joe Douglas for the Dundee Rep ensemble, offers an abundance of fresh perspectives on a text many people first encounter as high school students.
There’s a wealth of Greek literature in Scottish theatre at present. The blood is still wet on the stage at Edinburgh’s Royal Lyceum (during the current run of Chris Hannan’s adaptation of Homer’s Iliad), as the curtain begins to rise on this ambitious reimagining of Aeschylus’s Oresteia trilogy, with a punchy, contemporary version of the text by the playwright Zinnie Harris.