First published in The Times, Wednesday July 4 2018
The accoutrements of Sunday evening TV costume drama are present and correct in Blood of the Young’s refreshed take on Jane Austen. A chandelier hangs above an upright piano. A harp waits in a corner of the stage next to a row of high-backed chairs with floral upholstery. As the house lights go down we await the rattle and chink of the Bennet family’s best china plate being wheeled into the parlour for the benefit of gentleman visitors.
Continue reading “Review: Pride and Prejudice* (*Sort Of) – Tron Theatre, Glasgow”
First published in The Times, Saturday March 31 2018
Jack Thorne’s monologue about a teenage girl who finds herself caught up in a revenge attack on a young Asian boy debuted in one of the dank, dark venues on the Cowgate at the Edinburgh Festival Fringe in 2010. Since then, the writer has gone on to script the West End and Broadway megahit Harry Potter and the Cursed Child as well as winning five BAFTA awards for his work on television dramas such as This is England and National Treasure.
Continue reading “Review: Bunny – Tron Theatre, Glasgow”
First published in The Times, Tuesday May 16 2017
It is hard to conceive of a time when electronic music was not a significant part of the soundtrack to our lives. Yet, back in the late 1950s, the establishment of the BBC Radiophonic Workshop, which created sound effects for use in programming, was so controversial that its founders, Daphne Oram and Desmond Briscoe, found themselves operating on a miniscule budget out of two dingy rooms at the corporation’s Maida Vale studios.
Continue reading “Review: Daphne Oram’s Wonderful World of Sound – Tron Theatre, Glasgow”