Theatre review: The Wonderful Story of Henry Sugar – Perth Theatre

First published in The Times, Wednesday March 30 2022

FOUR STARS

Audiences are accustomed to seeing Roald Dahl’s children’s stories on stage. Matilda and Charlie and the Chocolate Factory were turned into blockbuster musical hits, while David Wood’s faithful adaptations of James and the Giant PeachThe BFG and The Witches are mainstays of the Christmas season.

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Review: Our Fathers – Traverse Theatre, Edinburgh

First published in The Times, Friday October 27 2017

Three Stars

A religious upbringing can cling to even the staunchest atheist like the lingering smell of incense. For the theatre director Nicholas Bone and Rob Drummond, the acclaimed playwright, both sons of clergymen, the institutional memories and associations of religion are rather harder to shrug off.

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Review: Grain in the Blood – Tron Theatre, Glasgow

First published in The Times, Tuesday October 24 2016

Three Stars

This eerie slice of contemporary noir is not what we’ve come to expect from the playwright Rob Drummond. His notable earlier works include Bullet Catch, in which Drummond recreated the classic magic trick with the help of audience participants. In Fidelity, which debuted at this year’s Edinburgh Festival Fringe, explored questions of love and monogamy through a Blind Date-style game show format involving single audience members.

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