First published in The Times, Monday August 15 2022
Liz Lochhead’s celebrated adaptation of Euripides first took Edinburgh by storm in 2001 in an award-winning production by Theatre Babel at the Assembly Rooms, with Maureen Beattie in the title role. It has taken more than 20 years for the play to make the short journey from New Town to Old, and from the Fringe to the international festival, courtesy of Michael Boyd’s revival for the National Theatre of Scotland.
Continue reading “Edinburgh review: Medea – The Hub”
First published in The Times, Tuesday November 28 2017
As 2017 is an odd-numbered year, Johnny McKnight is not only writing the pantomime at the Macrobert but also directing and pouring himself in and out of a ludicrous selection of wigs and frocks in his role as dame. The artistic director of Random Accomplice switches between the Stirling arts centre and Glasgow’s Tron at this most wonderful time of the year.
Continue reading “Review: Chick Whittington – Macrobert Arts Centre, Stirling”
First published in The Times, Monday November 28 2016
If Johnny McKnight, the playwright, performer and artistic director of Random Accomplice, could split himself into multiple clones, he would probably be called upon to write, helm and play the dame in half a dozen pantomimes across Scotland every festive season. As the ability to be in several places at once isn’t yet de rigueur, theatres must take it in turns for the full McKnight Christmas package of script, direction and virtuosic improvised banter.
Continue reading “Review: Weans in the Wood – Macrobert Arts Centre, Stirling”
First published in The Times, Monday November 30 2015
The Little Mermaid: Four Stars
The Lion, the Witch and the Wardrobe: Three Stars
With its red-haired heroine, shimmering backcloth and bold, primary-coloured costumes, this year’s Christmas show at the Macrobert owes as much of a debt of influence to Walt Disney as it does to Hans Christian Andersen. The witty, up-to-date script and irreverent atmosphere are very much in keeping with what we’ve come to expect from the Stirling panto, however. We’ve barely taken our seats before Drop Dead Gorgeous Daz (played by Robert Jack in the same fright wig he wore last year as Wishee Washee) lets off the show’s first fart gag, and this pretty much sets the tone for the next two hours.
Continue reading “Reviews: The Little Mermaid – Macrobert Arts Centre, Stirling; The Lion, the Witch and the Wardrobe – Royal Lyceum, Edinburgh”
Published in The Times, Thursday September 10 2015
All My Sons: Two Stars
My Name Is . . . Three Stars
Rapture Theatre has not had its problems to seek in reviving Arthur Miller’s first major success for a Scottish tour. First, Paul Shelley, the lead actor, was forced to withdraw from the production due to illness. Then, on opening night, female lead Trudie Goodwin fainted midway through the second act, bravely soldiering on following a temporary halt in proceedings.
Continue reading “Reviews: All My Sons – Theatre Royal, Glasgow; My Name Is . . . Summerhall, Edinburgh”