First published in The Times, Wednesday February 26 2020
Frances Hodgson Burnett’s novel was only a minor success when it was first published in 1911, but its reputation has since eclipsed that of her other books for children. The young protagonists are gratifyingly complex, there is a gothic edge to the atmosphere and there is something timeless in the story’s themes of healing and rejuvenation.
First published in The Times, Tuesday October 24 2016
This eerie slice of contemporary noir is not what we’ve come to expect from the playwright Rob Drummond. His notable earlier works include Bullet Catch, in which Drummond recreated the classic magic trick with the help of audience participants. In Fidelity, which debuted at this year’s Edinburgh Festival Fringe, explored questions of love and monogamy through a Blind Date-style game show format involving single audience members.
In the context of Scottish theatre, Molière, the nom-de-plume of Jean-Baptiste Poquelin, the 17th century French dramatist and actor, is pretty much synonymous with Liz Lochhead. The playwright and poet has notched up several adaptations into Scots of the comic maestro’s works, including Tartuffe, Le Misanthrope (rechristened Misery Guts) and L’Ecole des Femmes (updated as Educating Agnes).