First published in The Times, Monday October 8 2018
A first glance at Michael Taylor’s minutely detailed one-room set raises fears that we will be trapped for 90 minutes in the limited territory of kitchen-sink realism. However, as the lights go up we realise there is something not quite right about this crowded picture. For starters, this is a room with no discernible door or windows. Odder still, the kitchen sink contains neither bowl nor dishes but a record player stacked with 45s.