First published in The Times, Saturday November 18 2017
This new production of Caryl Churchill’s 2012 play is intriguing on a number of levels. Firstly, there’s the work itself: less a play than a series of more than 50 short scenes exploring the information onslaught of the digital age and its impact on our thought processes and ability to forge meaningful connections.
First published in The Times, Monday November 7 2016
Was there ever a more contradictory figure in literature than Lady Macbeth? On the one hand she is an enthusiastic accessory to murder whose avowed readiness to commit infanticide has made her a byword for perverse maternity. Yet, by the end of Shakespeare’s tragedy she has become a pathetic figure, taking refuge from assorted torments in madness and suicide.