Review: Nora: A Doll’s House – Tramway, Glasgow

First published in The Times, Monday March 25 2019

Two Stars

A Doll’s House by Ibsen is one of those theatrical gifts that keep on giving. The play about a middle-class woman, Nora Helmer, who comes to realise that her seemingly perfect marriage is a pretty cage, has been endlessly updated since its premiere in 1879. Lucas Hnath’s sequel, A Doll’s House, Part 2, which speculates on what happened to Nora after she closed the door on her old life, opened on Broadway in 2017.

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Review: Girl in the Machine – Traverse Theatre, Edinburgh

First published in The Times, Friday April 7 2017

Three Stars

How often do we reach for technology – unlock our phones or fire up our laptops – to escape the daily grind or overcome the transient blues? In Stef Smith’s new play, Polly (Rosalind Sydney) and Owen (Michael Dylan) are that enviable couple who appear to have it all: youth, energy, career success and a genuine, burgeoning love. Still, there is something almost inevitable about Polly’s tragic slide into dependency on a seductive new piece of hardware.

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Review: Swallow – Traverse Theatre, Edinburgh Fringe

First published in The Times, Tuesday August 11

Four Stars

In a relatively short space of time Stef Smith has established herself as a remarkably diverse and elusive playwright. Having first attracted attention as the writer of human trafficking drama RoadKill, which won an Olivier Award in 2012, her subsequent work includes a site-specific piece focusing on three generations of beekeepers and a decidedly off-centre play in which a married couple cope with their grief at the death of their daughter by endlessly dressing up and performing routines from The Sonny and Cher Comedy Hour.

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Review: And the Beat Goes On – Tron Theatre, Glasgow

First published in The Times, Friday March 27 2015

Two Stars

The playwright Stef Smith, who wrote the multi-award-winning Roadkill, knows how to grab an audience’s attention. In the opening scene of her bizarre new play And the Beat Goes On we watch a couple (Julie Brown and Johnny McKnight), decked out in flower power regalia, performing the classic Sonny & Cher anthem of the title against a backdrop of stacked boxes in their suburban garage.

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