Review: The Last Queen of Scotland – Underbelly Cowgate, Edinburgh

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First published in The Times, Friday August 11 2017

Four Stars

Idi Amin had such an obsession with Scotland that he regularly wore kilts, relaxed to bagpipe music and named four of his sons Campbell, McLaren, McKenzie and Mackintosh. For Jaimini Jethwa, growing up in Dundee in the 1970s, the fascination was mutual. Jethwa and her family were among the 60,000 south Asians expelled from Uganda by the dictator in 1972. Following a spell in a refugee camp in Kent, Jethwa’s parents opted to resettle in the “Jute City” because, unlike other parts of the UK, there was no waiting list.

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Review: The 306: Day – Station Hotel, Perth

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First published in The Times, Tuesday May 16 2017

Four Stars

When, a year ago, the National Theatre of Scotland unveiled the first instalment in its proposed trilogy of plays addressing the forgotten voices of World War I, the company effectively created a bespoke theatre space in a vast barn on a Perthshire farm. This follow-up, again written by the playwright Olivier Emanuel, with music by Gareth Williams, shifts the focus from a trio of men shot for cowardice or desertion during the Great War to women munitions workers, pacifists and suffragettes. The production, directed by Jemima Levick, has a stripped-back, intimate feel, and is being toured around smaller venues the length and breadth of Scotland.

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Review: The View from Castle Rock – artSpace@StMarks, Edinburgh

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First published in The Times, Friday August 19 2016

Four Stars

Over the past few years, the Edinburgh International Book Festival has included an increasingly ambitious theatre element in its programme. Previous productions include a starry staging of Alasdair Gray’s play Fleck and Letters Home, a co-production with Grid Iron, the site-specific company.

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Review: The Deliverance – Assembly Roxy, Edinburgh Fringe

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First published in The Times, Saturday August 22 2015

Four Stars

The Latin phrase omne trium perfectum (the notion that everything that comes in threes is complete) is being put to the test at the Fringe this year. Not only is the award-winning Scottish theatre company Stellar Quines premiering its production of The Deliverance – the final instalment in a trilogy written by the Québécoise playwright Jennifer Tremblay – audiences have the opportunity to see the three instalments back-to-back for the first time.

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