First published in The Times, Saturday March 26 2016
At first glance, the new play from David Leddy looks not at all the kind of thing we’ve come to expect from the most audacious of Scotland’s contemporary theatre-makers. We open on a luxurious function room, into which tumbles a quartet of upper crust characters in white tie and cocktail dresses. There’s a trophy wife (Claire Dargo), a self-important crooner (Robin Laing), a celebrated photojournalist (Lesley Hart) and a senior bureaucrat (Selina Boyack).
Continue reading “Review: International Waters – Tron Theatre, Glasgow”
First published in The Times, Saturday February 13 2016
When Mike Bartlett’s 2009 comedy drama received its first production in New York in 2012, newspaper reviewers and advertisers primly rechristened it The Cockfight Play. Glasgow’s Tron, which is producing the Scottish premiere, seems similarly conflicted about the play’s original title. While the poster depicts a pair of fowls knocking the feathers off each other, the theatre is promoting the show on social media using the hashtag #NotAboutChickens.
Continue reading “Review: Cock – Tron Theatre, Glasgow”
First published in The Times, Thursday November 19 2015
Over the past decade, David Leddy, the artistic director of Fire Exit, has built up a deserved reputation for innovation. His previous works include a site-specific webcast streamed live from his Glasgow flat and an immersive play, set in Japan, for which the audience was invited to sip white tea while wrapped in kimonos. In this context, his latest work, a two-hander with a single-room setting, looks like a radical departure.
Continue reading “Review: The Course of True Love – The Lemon Tree, Aberdeen”