First published in The Times, Saturday February 24 2018
According to the principle of Chekhov’s gun, if we see a firearm on stage in Act One, it must be used by the play’s end. Ira Levin’s thriller Deathtrap certainly sticks faithfully to the Russian’s view that everything we see on stage must have some relevance to the action. As the props on display include several pistols as well as daggers, swords, a mace and a crossbow, the audience spends much of the play bracing itself for the inevitable bloodbath.
Continue reading “Review: Deathtrap – Dundee Rep”
First published in The Times, Monday October 16 2017
It takes a certain amount of chutzpah to condense a 900-page novel into a two-hour play. Richard Crane’s venerable stage adaptation of Dostoevsky is all the more intriguing when you consider that, in his version, only four actors enact the Russian master’s sprawling, densely populated saga.
Crane’s dramatisation was commissioned for the Edinburgh International Festival in 1981, with Alan Rickman and Peter Kelly among the original cast. This revival at the Tron reunites the script with Faynia Williams, Crane’s partner in the Brighton Theatre, and the director of that first production.
Continue reading “Review: The Brothers Karamazov – Tron Theatre, Glasgow”