Review: Cyrano de Bergerac –Tramway, Glasgow

First published in The Times, Monday September 10 2018

Four Stars

The autumn theatre season has rolled around again, but for Dominic Hill and the Citizens Theatre it is far from business as usual. Cyrano de Bergerac is the company’s first production since taking up residence at nearby Tramway while its Gorbals HQ undergoes renovations. Hill’s take on Edmond Rostand’s 1897 verse drama, based on the celebrated 1992 Scots translation by Edwin Morgan, is an ambitious team effort, co-produced by the National Theatre of Scotland and the Royal Lyceum, that will tour stages around the country.

The brick walls and raked seating of Tramway may be like chalk and cheese to the Citizens’ Victorian auditorium, but the production nonetheless bears Hill’s imprimatur, with the 14-strong ensemble changing costume in full view of the audience and the action punctuated by Nikola Kodjabashia’s startling live soundtrack of repeated piano and guitar refrains and crashing percussion.


Pic: Mihaela Bodlovic

The lengthy, somewhat rambling opening scene in the theatre of the Hôtel Burgundy means that we are made to wait for the arrival of Brian Ferguson as Rostand’s flamboyant poet-soldier, but this delayed gratification is worthwhile. Lithe, shaven-headed and sporting a T-shirt with a saltire emblazoned across the chest, Ferguson looks more Renton from Trainspotting than portly Gérard Depardieu. His performance features the expected swagger and arrogance while allowing regular glimpses at the vulnerability of a man who believes himself ugly and can only imagine winning the love of his dream woman, Roxane (Jessica Hardwick), via a handsome proxy, Christian (Scott Mackie).


In a play about the transformative power of words, Hill’s production is certainly at its best during the most romantic scenes, when Cyrano’s poetry and Morgan’s witty, muscular translation take flight. The scene in which Cyrano, with Christian as his mouthpiece, woos Roxane as she stands on her balcony, is all the better for Hill’s paring back the aesthetics to focus on the text.

3. Cyrano de Bergerac - Jessica Hardwick & ensemble - Credit Mihaela Bodlovic

Pic: Mihaela Bodlovic

While there are undeniably moments when the bustle onstage means that we occasionally miss out on some of the nuances in the writing, there are some real gems among the set-piece ensemble scenes, with tightly choreographed interplay between the cast and the music and set and lighting design from Tom Piper and Lizzie Powell. The final act is particularly painstakingly staged: it is hard to imagine many actors with the range and stamina to tackle Cyrano’s weighty final monologue than Ferguson, here at the top of his game.


Box office: 0141 429 0022, to September 22; transferring to Royal Lyceum, Edinburgh, October 12-November 3; Eden Court, Inverness, November 7-10

Author: Allan Radcliffe

I am a writer, freelance journalist, subeditor and theatre critic, based in South Queensferry. My short fiction has been published in anthologies such as Out There, Elsewhere, The Best Gay Short Stories, ImagiNation, Markings, Gutter, New Writing Scotland and Celtic View. I have won the Scottish Book Trust's New Writer's Award and several of my stories have been adapted for broadcast on BBC Radio 4. As a journalist I write regularly for The Times, the Scotsman, Scotland on Sunday, Sunday Herald, Sunday Times, Metro, Big Issue and I was formerly assistant editor of The List magazine.

Leave a Reply

Fill in your details below or click an icon to log in: Logo

You are commenting using your account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s

%d bloggers like this: